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Last updateWed, 18 Apr 2018 5pm

Comics

Zombies Acquire a Taste For Comics

Back in 1968, filmmaker George A. Romero redefined zombies from mindless slaves to eternally hungry flesh eaters with Night of the Living Dead (NOTLD) and its sequels. However, Romero’s horror tales didn’t stay confined to celluloid and have transitioned into comics. IDW has adapted Dawn of the Dead and Land of the Dead while Avatar Press keeps Romero’s vision alive with its own “NOTLD” series and specials like “NOTD: Back from the Grave.”

John A. Russo, co-writer of NOTLD, has used his dark imagination to continue offering tales of humans evading the zombie plague. He co-wrote a prequel tale to the 1968 film with writer Mike Wolfer and even created his own NOTLD sequel with the miniseries, “Escape of the Living Dead,” three follow-up tales, and an annual.

In an interview with comicbookresources.com, Wolfer explained what it was like working with Russo to deepen this classic story. “And as I always mention, I’m a fanboy, too, so just the fact that I’ve been given this opportunity to help carve-out new chunks of unwritten history in such a prestigious franchise is incredible,” he said.

While Romero’s night of terror still lingers, other comic publishers have thrown their heads, hands, and feet into the zombie genre. Dynamite Entertainment has two volumes of “Raise the Dead,” horror comic writer and “30 Days of Night” co-creator, Steve Niles, developed a zombie tale set in Reno, Nevada with “Remains” (soon to be a TV movie), and Vertigo features “iZombie” about an undead investigator who eats brains once in a while to survive.

However, the most notable of series has been “The Walking Dead” from Image Comics. Created and written by Robert Kirkman with art from Tony Moore (issues one to six) and Charlie Adlard (issue seven to present), the comic is a dramatic, sophisticated, and unpredictable narrative about humans surviving in a world overrun by the dead. The series was recognized for its achievements in 2010 with an Eisner Award for Best Continuing Series.

Kirkman has never lost his beat from issue to issue as he puts protagonist Rick Grimes, his wife Lori, son Carl, and fellow survivors through the ringer repeatedly, offering salvation only for it to turn into damnation.

While talking with newsarama.com, Kirkman said where the main focus of this series tends to lie. Kirkman said, “In a sense, Carl is the heart and soul of the comic series. He started out as a true innocent, and it’s been a fun exploration to watch the world change around him and for him to see the things he has had to go through. Carl’s had to do a lot to survive. In general, to watch characters deal with hardship and overcoming obstacles shows how it can change them.”

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Heroes That Have Animal Instincts

When it comes to animals in comic books, you can never be too careful. Throughout the Marvel and DC Universes, animals exist with amazing abilities who demonstrate as much courage and determination as their two-legged counter parts when defending Earth.

In the DC Universe there are a number of examples of super animals like B’dg, a squirrel from outer space who is Green Lantern of Sector 1014. Another creature from the “Green Lantern” franchise is the Red Lantern, Dex-Starr. Dex-Starr was a common Earth cat until the Red Lantern ring hooked onto their rage and turned him into a blood-thirsty (literally) animal who could use the power of rage to his whim.

While Superman has an array of powerful creatures like Bippo the monkey, the top pet first has been a dog, Krypto. Although his origin has evolved over the years, this super dog first appeared in “Adventures Comics” #210.

Here it was explained that Krypto was a test subject for the rocket that Jor-El would later use to save his son from Krypton’s destruction. However, plans changed when Krypto’s ship veered off course and traveled through space until he reached Earth. There he reunited with his owner, a young Clark Kent/Superboy.

Since then, Krypto has been involved in crises like “Crisis on Infinite Earths” and “The Sinestro Corps War.” Krypto remained a key part of the Superman legacy and last appeared in Jeff Lemire’s “Superboy” before the DC New 52 reboot.

In a comicbookresources.com interview with Lemire before his previous “Superboy” series premiered, he explained his intentions for this superdog. “Oh yeah, Krypto is the best. I love Krypto. I think, and I’m not joking about this at all, I really want to write the first really great Krypto story. I want to give him a really serious and a really meaty character arc over the first year just as much as Conner,” Lemire said.

Beyond the mainstream DC Universe, Krypto also appeared in his own animated series and comic book miniseries, “Krypto, the Superdog,” which was geared toward a younger audience. He was also joined by Streaky the Cat and Ace the Bat-Hound (Ace was also a featured character in the “Batman Beyond” animated series albeit more serious).

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‘Dark Horse Presents’ a New Anthology Volume

Comic books are all about telling new, interesting, and/or other worldly stories. However, sometimes one issue isn’t enough, which is where anthology comics come into play. Here, readers are able to enjoy a handle of stories from different writer and artist combinations about virtually anything.

Throughout the years anthology comics have come and gone with old series like EC Comics’ “Tales from the Crypt” and “Suspense Stories” to new titles like Marvel’s “Strange Tales I and II.” Today, readers get another anthology with the relaunch of “Dark Horse Presents.”

“Dark Horse Presents” first entered the comic book industry in 1986 and ran until 2000. During this time, new comic book characters like Concrete appeared and became an icon for Dark Horse Comics. The series by writer/artist Paul Chadwick featured a man who is abducted by aliens and has his mind transferred into the body of a concrete hulking. However, in a world where super heroes and villains don’t exit, he’s left to ponder his new existence.

Another concept that began in “Dark Horse Presents” #51 and has gain notoriety was the “The Hard Goodbye,” the first story in Frank Miller’s “Sin City” series.

After the cancellation of “Dark Horse Presents” Volume One, another volume appeared for readers online called MDHP (MySpace Dark Horse Presents). From 2007 to 2010, comic book creators posted their work on MySpace for free as readers got a glimpse at what these creative writers and artists had to offer fans.

The tradition of anthological stories continued with tales featuring Dr. Horrible (from the musical blog) written by Joss Whedon, a Guild comic by its creator Felicia Day, and an “Umbrella Academy” tale by Gerald Way.

As the series ended in 2010, Scott Allie, a Dark Horse editor, spoke to newsarama.com about what this venture meant to the publisher and the series.

“Part of the gimmick with MDHP was that we didn’t ask for money. It’s hard to sell an anthology, blah blah blah, that’s the common wisdom. But we wanted to do an anthology, so we said, hell with it, we won’t try to sell it, we’ll give it away. At the time, I felt a sense of urgency to get content online, but I felt like no one had cracked the nut of how to monetize comics online. Things have changed, so it’s time to change our strategy,” he said.

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Comics Fans Enter a New DC Universe

The number 52 has been a significant figure for DC Comics. Back in 2006, miniseries, “52,” presented a world without Superman, Batman, and Wonder Woman and featured the return of 52 parallel worlds. Today, 52 stands for something new and bold in the comic book industry.

For over a month, DC Comics has relaunched all their comics and presented readers with 52 new #1 issues for old and new heroes alike. This event has been referred to as DCnU (DC New Universe) as every title from long-running series (“Action Comics”) to short-lived ones ( “Batman: The Dark Knight”) are getting this reboot treatment. So, past continuity is a thing of the past as these characters are being presented with a modern perspective.

On “The Source,” DC Comics’ Blog, a viral video featuring individuals like co-publishers Dan Didio and Jim Lee and Editor-in-Chief Bob Harras explained what this venture means for DC. “This is a great opportunity for readers who aren’t familiar with our character to jump aboard, to come join the party that is the DC universe,” Harras said.

The catalyst for this game-changer was “Flashpoint” #5. “Flashpoint” followed Barry Allen/The Flash as he entered a world that was turned upside down, where Batman was Thomas Wayne (Bruce Wayne’s father) and Wonder Woman fought with Aquaman through their kingdoms. At the conclusion of “Flashpoint,” the world didn’t look the same, and that same week, “Justice League” #1 ushered in the age of the DC 52.

Since then, other titles have rolled off the printing presses to the eagerness of fans. Series like “Action Comics” are retelling the origin of these icons while titles like “I, Vampire” and “Resurrection Man” are bringing back characters that have been absent for a while. A few titles have even integrated the fallen Wildstorm heroes into their own titles (“Grifter) or team books (“Stormwatch”). However for other series, major changes have occurred in what was the status quo like with “Batman” for example.

Before DCnU, Dick Grayson and Bruce Wayne shared duties by both being Batman while Damian Wayne acted as Robin and Stephanie Brown was Batgirl. In this new universe, Bruce Wayne is back as the one and only Dark Knight while Damian is still Robin. Meanwhile, Dick is Nightwing (his first post-Robin identity) again and the paralyzed computer hacker, Barbara Gordon, has returned to her first calling as Batgirl.

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Ultimate Spider-Man Webs New Wallcrawler

Superheroes come and go, but their legacies can live on. The latest example of this is the death of Ultimate Peter Parker/Spider-Man and the rise of a new friendly neighborhood Spider-Man. However, this isn’t the traditional Spider-Man but the version from the Ultimate Universe and outside of the main universe and continuity.

Starting in 2000, the Ultimate Universe helps to tell stories of Marvel heroes from a modern day perspective and defer from having to deal with much continuity. For example, instead of the Avengers, Captain America, Thor, and Iron Man are part of the S.H.I.E.L.D. sanctioned team known as the Ultimates.
Toward the end of the summer, Peter Parker met his fate in “Ultimate Comics Spider-Man” #160 at the hands of his arch nemesis, Norman Osborn/Green Goblin. The Ultimate Universe explored the aftermath of this death in the limited series, “Ultimate Comics Fallout,” but soon a mysterious individual was seen wearing Spidey’s red and blue costume in issue #4. This character was later identified as Miles Morales, a half-Hispanic and half-African American youth.

On USAToday.com, “Ultimate Spider-Man” writer Brian Michael Bendis discussed how Miles as the new Spider-Man won’t change the ideals Peter held. “The theme is the same: With great power comes great responsibility… He’s going to learn that. Then he has to figure out what that means.”

Oddly enough, Community star Donald Glover was campaigning to be Peter Parker/Spidey in the reboot. According to popwatch.ew.com, Bendis looked at Glover’s campaign as “a classic case of what-might-have-been.” In fact, Glover even wore a Spider-Man t-shirt in the opening scene of Community’s second season.

Since Miles’ first appearance in August, the character had room to grow and finally appeared in his solo series the new “Ultimate Comics Spider-Man.”

In addition to this new title, Miles will also be donning a new costume to uphold this new character. Instead of the traditional red and blue Spider-Man outfit, Miles’ wardrobe is black with red covering the torso and mask.

Now, while Bendis has the task of developing and writing dialogue for Miles and company, artist Sara Pichelli has the task of designing this new hero and his costume. However, with the costume design, Pichelli worked to show this is Spider-Man for a new decade.

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Comics Turn the Page on Novel Adaptations

When people think about adaptations, they might consider a feature film or TV series like Batman or True Blood respectively. Now, while comic books are generally about superheroes, they have also been used to adapt numerous stories to the four-colored world.

One of the earliest sets of graphic adaptations was with “Classics Illustrated,” which took famous works such as “The Odyssey,” “A Tale of Two Cities,” and even a comic book version of “Uncle Tom’s Cabin.” The “Classics Illustrated” series ran for three decades from 1941 to 1971. Through these comics, readers still experienced timeless classics but viewed them through a series of drawings by the artists involved.

Marvel Comics has continued the tradition of adapting classic stories for a modern audience with stories like “Moby Dick,” “Treasure Island,” and “Pride and Prejudice.” However, one of the more interesting aspects to revisiting old stories through comic book lenses is with the successful adaptations of L. Frank Baum’s Oz stories.

Together, writer Eric Shanover and artist Scottie Young have brought readers back to Oz through their illustrated versions of “The Wizard of Oz,” “The Marvelous Land of Oz,” and “Ozma of Oz.” While Shanover had previously brought other Oz stories to comics, this was the first he would work to stay true to the book.

In a 2008 interview with Marvel.com, Shanover described why he finally chose to adapt “The Wizard of Oz” for the House of Ideas. He said, “I wanted everything that was part of the book to stay in some way. Now, of course, it’s an adaptation, and it’s for a different medium from prose to comics, so there are different demands. My other main goal was to make sure it was a good comic, not just an adaptation where it didn’t matter to me if it was good or bad as long as I got everything in.”

Shanover and Young will continue their collaboration down the yellow brick road with the next series “Dorothy & the Wizard of Oz.”

While Marvel has had its hands busy retelling timeless stories, they haven’t been the only ones to do so. Companies like IDW have demonstrated their adaptations through graphic novels like “I Am Legend” and using fan-favorite horror writer, Steve Niles, to help guide the artist’s vision to this apocalyptic tale.

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How Comic Books Dealt With the Tragedy of 9/11

Following the events of September 11, there have been movies (World Trade Center) and TV specials discussing the tragedy of this day as well as the heroism of police, firefighters, and first responders who braved the danger to help anyone they could.

However, what people might not know is that the comic book community also developed graphic novels and comics in which writers and artists created stories centering around this day to honor those lost and reminding people to never forget.

Just like the noble intentions of its heroes, many of the proceeds from these books were donated to organizations such as the World Trade Center Relief Fund, Survivors Fund, Twin Tower Fund, and the American Red Cross.
One of the bigger collaborations resulted in a two volume graphic novel series known as “9-11: September 11.”
The first volume was called “9-11: September 11 (Artists Respond)” and published by independent publisher Chaos!, Dark Horse, and Image Comics.

According to the solicitation on Amazon.com, “Among Volume One’s contributors are writer/artist William Stout, who shares the true story of a Yugoslavian citizen’s love of Americans; Stan Sakai, vividly recalling his last visit to New York City; and Paul Chadwick, who offers his interpretation of the heroism of the passengers on Flight 93, whose sacrifice kept September 11 from being an even more tragic day...”

Some other writers and artists telling their stories were Will Eisner, Frank Miller, Dave Gibbons, Eric Powell, and Tony Millionaire.

The second volume, “9-11: September 11 (The World’s Finest Comic Book Writers & Artists Tell Stories to Remember,” was published through DC Comics.

This volume is notable for an Alex Ross cover showing Superman and his pet, Krypto, looking in awe at a mural of police, firefighters, and paramedics. It continued the tone from the first one and included more stories from writers and artists such as Neil Gaiman, Stan Lee, Jim Lee, Neal Adams, and Ed Brubaker.

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Contact Information

CAMPUS LOCATION
The Outlook
Jules L. Plangere Jr. Center for Communication
and Instructional Technology (CCIT)
Room 260, 2nd floor

MAILING ADDRESS
The Outlook
Monmouth University
400 Cedar Ave, West Long Branch, New Jersey
07764

Phone: (732) 571-3481 | Fax: (732) 263-5151
Email: outlook@monmouth.edu