Working, a witty and inspirational musical about the average working class citizen opened at the Lauren K. Woods Theatre on Wednesday, March 28. A moderately sized and eager crowd gathered to watch the latest theatrical success to be performed by University students.
Graduating seniors presented their fine art pieces last Friday night as part of the Senior Art Exhibit on display at the Rotary Ice House Gallery and Pollak Gallery.
African-American poet Natasha Trethewey visited Wilson Hall Auditorium last Thursday to read poems from her upcoming release titled “Thrall.” The event was presented by the University’s Center for the Arts Visiting Writer’s Series.
It appears that everything nowadays is slowly making the move to become digital. One can shop, read the newspaper and even pay bills through digital methods.
Imagine living in constant fear that the ones who will rob your house and potentially kill you aren’t foreign terrorists or some enemy of the state but your neighbors from next door. This is the fear that characters in the film Rachida f eel o n a d aily b asis. A t one point, school teacher Rachida (Ibtissem Djouadi) even exclaims, “I’m in exile in my own country!”
The Hunger Games certainly did not disappoint fans as it hit theaters this past weekend. The first adaptation of Suzanne Collins’ best-selling book trilogy managed to stay relatively faithful to the source material without compromising the integrity of the movie.
Until John Carter (3-D) and 21 Jump Street arrived in theaters, the 2012 movie season wasn’t really packing a punch with a few exceptions (i.e. Chronicle).
The University held its eighth annual performance of The Vagina Monologues in Pollak Theatre on March 6. The play was written to raise awareness of violent and sexual crimes committed against women.
It’s been almost three years since Max Bemis has released any material from his alternative pop punk band Say Anything after endless touring, splitting from major record label RCA and getting married to Eisley vocalist, Sherri DuPree. Now they are backed by highly respected indie label Equal Vision Records and reteaming with producer Tim O’Heir who helped create Say Anything’s masterpiece album …Is a Real Boy.
Could you forgive someone who committed atrocities to you, your family and your community? That was the question posed in the documentary, Fambul Tok, which was screened in Pollak Theatre on March 5 as part of On Screen In Person (a film series where directors present their films and partake in Q&A’s).