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Entertainment

The Art of Being an Artist

entertainment-satchmoA modern “renaissance man” by the name of Steven Brower came to our humble campus on Thursday, September 13.
Dozens of people- including members of Marywood University, where Brower teaches Graphic De­sign- gathered in the Wilson Audi­torium to hear his lecture, “Influ­ence, Parody and Process.”
Luis Flores-Portero, lecturer of foreign language studies, came because Brower’s art resonated with him. “I was attracted to this talk by the quality of the flyer in the email,” says Flores-Portero. “I like Louis Armstrong and wanted to know more about the man who designed it.”
In addition to serving as head of the graduate graphic design program, Brower has worked with Print magazine and was the art di­rector for the New York Times and The Nation. He also has work stored among the permanent collection at the Smithsonian Museum.
Brower began the lecture by dis­cussing his inspirational origins, such as the comedy and style of Groucho Marx. He said the man’s humor was “so sardonic and irrev­erent” that he couldn’t help but love the comedy style. A notable portion of Brower’s work, especially his earlier work, features references to Marx.

This occasionally child-like chaos and general lack of regard for the norms of society is what makes Brower’s work come to life. Not only is his work original and imagi­native, it tends to border on the con­troversial. Occasionally, Brower has crossed this line, such as the time he submitted a cover for Print magazine that resulted in “a record number of subscription cancellations.”

Ironically, he would later go on to work with Print as a creative director for five years. While serving there, Print celebrated two National Maga­zine Awards for General Excellence. He would later be fired when another cover idea of his resulted in, once again, a record-breaking number of canceled subscriptions.

Keeping with the theme of youth­fulness, Brower also spoke about his ties to the realm of comic book an­tics and his love of the work of Jack Kirby, the man behind some of the most legendary superheroes. Having served as a writer, editor and artist while designing familiar figures like The Hulk, The X-Men and Captain America, it is possibly his interdisci­plinary renown that set the stage for Brower’s later forays into the world beyond his own artistic medium.
He later went on to cite Woody Guthrie as another important figure in his life. “Woody Guthrie trans­formed me,” said Brower.

Guthrie was well known for writ­ing hundreds of traditional, folk and children’s songs, as well as his politi­cal activism. His most recognizable piece is easily “This Land is Your Land.” However, Guthrie’s fame- as well as his living- was made through his artwork and dedication to the things he believed in. This passion is what earned Brower’s respect. He felt that Guthrie not only changed his life, but changed the face of the na­tion as well, and that his work was a microcosm of the tulmultuous, com­munism-fearing period that followed World War II.

After a period of working strictly in the field of graphic and artistic de­sign, Brower braved the literary pub­lication process and released Woody Guthrie Artworks, a book featuring and discussing the contribution that Guthrie made to art. He penned this with one of Guthrie’s eight children, Nora Guthrie.

This was not the only book Brower worked on. In 2006, he co-authored 2D: Visual Basics for Designers with Robin Landa and Rose Gonnella. He also designed Satchmo: The Wonder­ful Art and World of Louis Armstrong in 2009. The cover art of this book was used as promotional material for the lecture.

In 2010, Brower designed and wrote two other books; From Shadow to Light: The Life and Art of Mort Meskin and Breath­less Homicidal Slime Mutants: The Art of the Paperback. The former is about DC Comics artist Mort Meskin, his delicate mental sta­bility, and the dark and bold style that he brought to a formerly light and airy medium. The latter of the two books is a collection and dis­section of paperback cover art and those who created the art in the first place.
Brower’s lecture ended with mention of some of his more recent efforts. He has begun passing on his considerable knowledge to the students of Marywood University, located in Scranton, Pennsylvania. He also served as an adjunct profes­sor at Kean, Rutgers-Newark and our very own University. Brower owns a design company, which can be found at StevenBrowerDesign.com.

Ted Michalowski, Professor of Illustration at Marywood Universi­ty, had a great time. “Your campus is beautiful,” said Michalowski. His students passionately agreed.

“Steven Brower is a noted Amer­ican graphic designer and we were honored to have him speak and show his work in the MU Gallery,” Cresson adds. Brower spoke to her Graphic Design class, sharing his knowledge with our peers.
If you missed the reception, don’t fret, because there is still time to head over to the Ice House gallery and check out Brower’s amazing work. No matter what your major, it would be a major disappointment to miss.

Contact Information

CAMPUS LOCATION
The Outlook
Jules L. Plangere Jr. Center for Communication
and Instructional Technology (CCIT)
Room 260, 2nd floor

MAILING ADDRESS
The Outlook
Monmouth University
400 Cedar Ave, West Long Branch, New Jersey
07764

Phone: (732) 571-3481 | Fax: (732) 263-5151
Email: outlook@monmouth.edu