Last updateFri, 17 Nov 2017 9pm


Comics Team-Up Offers Superhero Combinations

What’s better than one superhero in a comic book? That would be two heroes in a comic, which is where the idea of team-up books thrives. Unlike a team book where heroes work together issue in and out, team-up comics focus on different characters working together for one or two issues max.

Last week, Marvel released their newest team-up book with “Avenging Spider-Man” #1 by writer Zeb Wells and artist Joe Mauderia. The premiere issue focused on Spider-Man and Red Hulk (Rulk) dealing with monsters overrunning New York City. However, superhero team-ups are nothing new for Marvel.

The first “Marvel Team-Up” began in 1972 and featured Spider-Man working with the Human Torch against Sandman. In fact, Spider-Man was featured throughout most of the series alongside heroes like Thor, She-Hulk, and Captain America. Volume One lasted for 150 issues, ending in 1985.

“Marvel Team-Up” Volume Two arrived in 1997 and while Spider-Man was featured in many issues, other characters were presented as well like Namor, the Sub Mariner, Blade, Doctor Strange, and the Thing. Writer Robert Kirkman took over “Marvel Team-Up” Volume Three in 2005 and presented his own unique hero combinations.

Looking back at past “Marvel Team-Up” volumes in preparation for “Avenging Spider-Man” #1, said about Volume Three, “While this MTU wasn’t strictly limited to Spider-Man stories, it started and ended with the character playing a prominent role, and he even teamed up in issue #14 with Kirkman’s Image Comics creation, Invincible.”

The site continued to report that less familiar characters like Darkhawk and Sleepwalker also returned to the Marvel Universe in this series.

There was also an Ultimate Marvel Team-Up book titled, “Ultimate Marvel Team-Up.”

Now, although “Avenging Spider-Man” #1 does not carry the “Marvel Team-Up” banner on the book, readers should see that it’s a new interpretation of this iconic series.

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Norman Osborn Gathers New Dark Avengers

In the Marvel Universe, the Avengers team is composed of superheroes who work together in order to save the world from dire threats. Although this group has been comprised of heroes over the years, some villains have entered into the fold, too, only to come out as heroes in the end. Some examples include Hawkeye, Quicksilver, the Scarlet Witch, and most recently, Red Hulk (or Rulk).

However, for a time in the Marvel Universe, there was a team of Avengers who looked like heroes but were really evildoers in the series, “Dark Avengers.” While this team was broken up following “Siege,” it appears a new group of Dark Avengers are forming to wreak havoc for the Marvel heroes and will be revealed in “New Avengers” Vol. 2 #18.

For those unfamiliar with “Dark Avengers,” this was the series following “Secret Invasion,” where Norman Osborn was in charge of global security along with his H.A.M.M.E.R. division replacing S.H.I.E.L.D.

At the same time, he was also gathering villains to pose as heroes for his own Avengers team led by himself as the Iron Patriot. They included Wolverine (Daken), Spider-Man (Marc Gargan), Ms. Marvel (Moonstone), Hawkeye (Bullseye), the Sentry, Captain Marvel (Noh-Var), and Ares.

In an interview with, series writer Brian Michael Bendis explained what the idea was for Dark Avengers as the first issue was approaching. “Norman feels the Avengers need to be a team of unapologetic ass-kicker-y. Plus his team serves a dual purpose: he gets to have these colorful mascots of freedom, but at the same time -- whew! Is he pissing off all the right people! He gets to mock Spider-Man. And if God forbid Mac Gargan does something stupid, Osborn can blame it on Spider-Man,” he said.

The team offered the guise of heroism but underneath still acted like villains with double-crosses, selflessness, and conflict as they dealt with issues like Morganne Le Fay’s magic and the San Francisco mutant crisis in the crossover tale, “Utopia.” They were the main focal point of the Marvel Universe during the Dark Reign storyline that ran in most of the House of Ideas series. “Dark Avengers” ran for 16 issues with one annual included.

Since the “Siege” aftermath, the team dispersed through the Marvel Universe or to the great beyond. Ares and the Sentry both died in the “Siege” miniseries while Bullseye met his end from Daredevil in “Shadowland” #1.

Noh-Var joined the newly established main Avengers team, Daken went off on his own journey, Marc Gargan became the Scorpion again, and Moonstone went back to the Thunderbolts.

As for Osborn, he went to a super maximum security prison where he slowly worked his way out. Now, it seems like he has a new mission to accomplish with the help of a new Dark Avengers team.

The synopsis for “New Avengers” #18 on leaves much to the imagination with a tagline that reads: “Norman Osborn and H.A.M.M.E.R. return! Witness the new Avengers line-up in action!” It is being written by Bendis (who has written “New Avengers” since Volume 1 and drawn by his “Dark Avengers” artist, Mike Deodato, Jr).

In addition to some preview pages for the issue with what seems to be Osborn in the Savage Land looking for something, the cover pays homage to the famous Uncle Sam poster as he points his index finger to the reader saying, “I want you!” as individuals covered in shadows stand in the distance.

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‘30 Days of Night’ Has Year-Round Horror

By the time this article gets published, Halloween will be over. However, when it comes to comic books, the ghouls, monsters and frights of Halloween are nonstop. For example, within DC Comics’ relaunch, they are presenting new tales of their Frankenstein monster in “Frankenstein: Agent of S.H.A.D.E.,” developing distinct bloodsuckers in “I, Vampire,” and bringing together their magical heroes and anti-heroes in “Justice League Dark.”

Marvel is also having a monster bash with their new miniseries “Legion of Monsters,” which features creatures like Morbius, the Living Vampire and Manphibian uniting with Elsa Bloodstone to deal with the supernatural horrors of their world.

Yet, if there was only one comic that could be picked to keep the Halloween spirit alive in the comic book community, it would have to be “30 Days of Night” from IDW.

Created by writer Steve Niles and artist Ben Templesmith in 2002, “30 Days of Night” was a three issue miniseries that focused on the fictional town of Barrow, Alaska, which experiences a month of darkness every year. However, this year, some unexpected vampires came to town to enjoy a smorgasbord of human blood. While the book offered a strong, original, and terrifying take on the vampire mythos, Niles also helped to reinvent horror comics for a new generation.

However, “30 Days of Night” was not always planned out as a comic book but originally set to be a movie that was continuously turned down (“30 Days of Night” finally become a movie in 2007 with a DVD sequel in 2010). “I pitched it to just blank faces. And they’d say, ‘It sounds like Buffy, it sounds like Buffy.’ And honestly I had just about given up,” Niles told in 2007. Things changed, though, when Niles got a call from IDW and he presented them with the “30 Days of Night” story.

Niles continued to tell, “And the day the ad for the first issue hit, we started getting calls from every studio, every producer, even people I had pitched before. People to this day deny that they rejected it, and I love it! Even one of the producers on the movie had originally rejected it.”

Since then, IDW has published sequels to “30 Days of Night” to establish a trilogy with “30 Days of Night: Dark Days” and “30 Days of Night: Return to Barrow.” (There was also “30 Days of Night: Eben and Stella,” which continued from “Dark Days”).

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Zombies Acquire a Taste For Comics

Back in 1968, filmmaker George A. Romero redefined zombies from mindless slaves to eternally hungry flesh eaters with Night of the Living Dead (NOTLD) and its sequels. However, Romero’s horror tales didn’t stay confined to celluloid and have transitioned into comics. IDW has adapted Dawn of the Dead and Land of the Dead while Avatar Press keeps Romero’s vision alive with its own “NOTLD” series and specials like “NOTD: Back from the Grave.”

John A. Russo, co-writer of NOTLD, has used his dark imagination to continue offering tales of humans evading the zombie plague. He co-wrote a prequel tale to the 1968 film with writer Mike Wolfer and even created his own NOTLD sequel with the miniseries, “Escape of the Living Dead,” three follow-up tales, and an annual.

In an interview with, Wolfer explained what it was like working with Russo to deepen this classic story. “And as I always mention, I’m a fanboy, too, so just the fact that I’ve been given this opportunity to help carve-out new chunks of unwritten history in such a prestigious franchise is incredible,” he said.

While Romero’s night of terror still lingers, other comic publishers have thrown their heads, hands, and feet into the zombie genre. Dynamite Entertainment has two volumes of “Raise the Dead,” horror comic writer and “30 Days of Night” co-creator, Steve Niles, developed a zombie tale set in Reno, Nevada with “Remains” (soon to be a TV movie), and Vertigo features “iZombie” about an undead investigator who eats brains once in a while to survive.

However, the most notable of series has been “The Walking Dead” from Image Comics. Created and written by Robert Kirkman with art from Tony Moore (issues one to six) and Charlie Adlard (issue seven to present), the comic is a dramatic, sophisticated, and unpredictable narrative about humans surviving in a world overrun by the dead. The series was recognized for its achievements in 2010 with an Eisner Award for Best Continuing Series.

Kirkman has never lost his beat from issue to issue as he puts protagonist Rick Grimes, his wife Lori, son Carl, and fellow survivors through the ringer repeatedly, offering salvation only for it to turn into damnation.

While talking with, Kirkman said where the main focus of this series tends to lie. Kirkman said, “In a sense, Carl is the heart and soul of the comic series. He started out as a true innocent, and it’s been a fun exploration to watch the world change around him and for him to see the things he has had to go through. Carl’s had to do a lot to survive. In general, to watch characters deal with hardship and overcoming obstacles shows how it can change them.”

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Heroes That Have Animal Instincts

When it comes to animals in comic books, you can never be too careful. Throughout the Marvel and DC Universes, animals exist with amazing abilities who demonstrate as much courage and determination as their two-legged counter parts when defending Earth.

In the DC Universe there are a number of examples of super animals like B’dg, a squirrel from outer space who is Green Lantern of Sector 1014. Another creature from the “Green Lantern” franchise is the Red Lantern, Dex-Starr. Dex-Starr was a common Earth cat until the Red Lantern ring hooked onto their rage and turned him into a blood-thirsty (literally) animal who could use the power of rage to his whim.

While Superman has an array of powerful creatures like Bippo the monkey, the top pet first has been a dog, Krypto. Although his origin has evolved over the years, this super dog first appeared in “Adventures Comics” #210.

Here it was explained that Krypto was a test subject for the rocket that Jor-El would later use to save his son from Krypton’s destruction. However, plans changed when Krypto’s ship veered off course and traveled through space until he reached Earth. There he reunited with his owner, a young Clark Kent/Superboy.

Since then, Krypto has been involved in crises like “Crisis on Infinite Earths” and “The Sinestro Corps War.” Krypto remained a key part of the Superman legacy and last appeared in Jeff Lemire’s “Superboy” before the DC New 52 reboot.

In a interview with Lemire before his previous “Superboy” series premiered, he explained his intentions for this superdog. “Oh yeah, Krypto is the best. I love Krypto. I think, and I’m not joking about this at all, I really want to write the first really great Krypto story. I want to give him a really serious and a really meaty character arc over the first year just as much as Conner,” Lemire said.

Beyond the mainstream DC Universe, Krypto also appeared in his own animated series and comic book miniseries, “Krypto, the Superdog,” which was geared toward a younger audience. He was also joined by Streaky the Cat and Ace the Bat-Hound (Ace was also a featured character in the “Batman Beyond” animated series albeit more serious).

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‘Dark Horse Presents’ a New Anthology Volume

Comic books are all about telling new, interesting, and/or other worldly stories. However, sometimes one issue isn’t enough, which is where anthology comics come into play. Here, readers are able to enjoy a handle of stories from different writer and artist combinations about virtually anything.

Throughout the years anthology comics have come and gone with old series like EC Comics’ “Tales from the Crypt” and “Suspense Stories” to new titles like Marvel’s “Strange Tales I and II.” Today, readers get another anthology with the relaunch of “Dark Horse Presents.”

“Dark Horse Presents” first entered the comic book industry in 1986 and ran until 2000. During this time, new comic book characters like Concrete appeared and became an icon for Dark Horse Comics. The series by writer/artist Paul Chadwick featured a man who is abducted by aliens and has his mind transferred into the body of a concrete hulking. However, in a world where super heroes and villains don’t exit, he’s left to ponder his new existence.

Another concept that began in “Dark Horse Presents” #51 and has gain notoriety was the “The Hard Goodbye,” the first story in Frank Miller’s “Sin City” series.

After the cancellation of “Dark Horse Presents” Volume One, another volume appeared for readers online called MDHP (MySpace Dark Horse Presents). From 2007 to 2010, comic book creators posted their work on MySpace for free as readers got a glimpse at what these creative writers and artists had to offer fans.

The tradition of anthological stories continued with tales featuring Dr. Horrible (from the musical blog) written by Joss Whedon, a Guild comic by its creator Felicia Day, and an “Umbrella Academy” tale by Gerald Way.

As the series ended in 2010, Scott Allie, a Dark Horse editor, spoke to about what this venture meant to the publisher and the series.

“Part of the gimmick with MDHP was that we didn’t ask for money. It’s hard to sell an anthology, blah blah blah, that’s the common wisdom. But we wanted to do an anthology, so we said, hell with it, we won’t try to sell it, we’ll give it away. At the time, I felt a sense of urgency to get content online, but I felt like no one had cracked the nut of how to monetize comics online. Things have changed, so it’s time to change our strategy,” he said.

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Comics Fans Enter a New DC Universe

The number 52 has been a significant figure for DC Comics. Back in 2006, miniseries, “52,” presented a world without Superman, Batman, and Wonder Woman and featured the return of 52 parallel worlds. Today, 52 stands for something new and bold in the comic book industry.

For over a month, DC Comics has relaunched all their comics and presented readers with 52 new #1 issues for old and new heroes alike. This event has been referred to as DCnU (DC New Universe) as every title from long-running series (“Action Comics”) to short-lived ones ( “Batman: The Dark Knight”) are getting this reboot treatment. So, past continuity is a thing of the past as these characters are being presented with a modern perspective.

On “The Source,” DC Comics’ Blog, a viral video featuring individuals like co-publishers Dan Didio and Jim Lee and Editor-in-Chief Bob Harras explained what this venture means for DC. “This is a great opportunity for readers who aren’t familiar with our character to jump aboard, to come join the party that is the DC universe,” Harras said.

The catalyst for this game-changer was “Flashpoint” #5. “Flashpoint” followed Barry Allen/The Flash as he entered a world that was turned upside down, where Batman was Thomas Wayne (Bruce Wayne’s father) and Wonder Woman fought with Aquaman through their kingdoms. At the conclusion of “Flashpoint,” the world didn’t look the same, and that same week, “Justice League” #1 ushered in the age of the DC 52.

Since then, other titles have rolled off the printing presses to the eagerness of fans. Series like “Action Comics” are retelling the origin of these icons while titles like “I, Vampire” and “Resurrection Man” are bringing back characters that have been absent for a while. A few titles have even integrated the fallen Wildstorm heroes into their own titles (“Grifter) or team books (“Stormwatch”). However for other series, major changes have occurred in what was the status quo like with “Batman” for example.

Before DCnU, Dick Grayson and Bruce Wayne shared duties by both being Batman while Damian Wayne acted as Robin and Stephanie Brown was Batgirl. In this new universe, Bruce Wayne is back as the one and only Dark Knight while Damian is still Robin. Meanwhile, Dick is Nightwing (his first post-Robin identity) again and the paralyzed computer hacker, Barbara Gordon, has returned to her first calling as Batgirl.

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Ultimate Spider-Man Webs New Wallcrawler

Superheroes come and go, but their legacies can live on. The latest example of this is the death of Ultimate Peter Parker/Spider-Man and the rise of a new friendly neighborhood Spider-Man. However, this isn’t the traditional Spider-Man but the version from the Ultimate Universe and outside of the main universe and continuity.

Starting in 2000, the Ultimate Universe helps to tell stories of Marvel heroes from a modern day perspective and defer from having to deal with much continuity. For example, instead of the Avengers, Captain America, Thor, and Iron Man are part of the S.H.I.E.L.D. sanctioned team known as the Ultimates.
Toward the end of the summer, Peter Parker met his fate in “Ultimate Comics Spider-Man” #160 at the hands of his arch nemesis, Norman Osborn/Green Goblin. The Ultimate Universe explored the aftermath of this death in the limited series, “Ultimate Comics Fallout,” but soon a mysterious individual was seen wearing Spidey’s red and blue costume in issue #4. This character was later identified as Miles Morales, a half-Hispanic and half-African American youth.

On, “Ultimate Spider-Man” writer Brian Michael Bendis discussed how Miles as the new Spider-Man won’t change the ideals Peter held. “The theme is the same: With great power comes great responsibility… He’s going to learn that. Then he has to figure out what that means.”

Oddly enough, Community star Donald Glover was campaigning to be Peter Parker/Spidey in the reboot. According to, Bendis looked at Glover’s campaign as “a classic case of what-might-have-been.” In fact, Glover even wore a Spider-Man t-shirt in the opening scene of Community’s second season.

Since Miles’ first appearance in August, the character had room to grow and finally appeared in his solo series the new “Ultimate Comics Spider-Man.”

In addition to this new title, Miles will also be donning a new costume to uphold this new character. Instead of the traditional red and blue Spider-Man outfit, Miles’ wardrobe is black with red covering the torso and mask.

Now, while Bendis has the task of developing and writing dialogue for Miles and company, artist Sara Pichelli has the task of designing this new hero and his costume. However, with the costume design, Pichelli worked to show this is Spider-Man for a new decade.

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Comics Turn the Page on Novel Adaptations

When people think about adaptations, they might consider a feature film or TV series like Batman or True Blood respectively. Now, while comic books are generally about superheroes, they have also been used to adapt numerous stories to the four-colored world.

One of the earliest sets of graphic adaptations was with “Classics Illustrated,” which took famous works such as “The Odyssey,” “A Tale of Two Cities,” and even a comic book version of “Uncle Tom’s Cabin.” The “Classics Illustrated” series ran for three decades from 1941 to 1971. Through these comics, readers still experienced timeless classics but viewed them through a series of drawings by the artists involved.

Marvel Comics has continued the tradition of adapting classic stories for a modern audience with stories like “Moby Dick,” “Treasure Island,” and “Pride and Prejudice.” However, one of the more interesting aspects to revisiting old stories through comic book lenses is with the successful adaptations of L. Frank Baum’s Oz stories.

Together, writer Eric Shanover and artist Scottie Young have brought readers back to Oz through their illustrated versions of “The Wizard of Oz,” “The Marvelous Land of Oz,” and “Ozma of Oz.” While Shanover had previously brought other Oz stories to comics, this was the first he would work to stay true to the book.

In a 2008 interview with, Shanover described why he finally chose to adapt “The Wizard of Oz” for the House of Ideas. He said, “I wanted everything that was part of the book to stay in some way. Now, of course, it’s an adaptation, and it’s for a different medium from prose to comics, so there are different demands. My other main goal was to make sure it was a good comic, not just an adaptation where it didn’t matter to me if it was good or bad as long as I got everything in.”

Shanover and Young will continue their collaboration down the yellow brick road with the next series “Dorothy & the Wizard of Oz.”

While Marvel has had its hands busy retelling timeless stories, they haven’t been the only ones to do so. Companies like IDW have demonstrated their adaptations through graphic novels like “I Am Legend” and using fan-favorite horror writer, Steve Niles, to help guide the artist’s vision to this apocalyptic tale.

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How Comic Books Dealt With the Tragedy of 9/11

Following the events of September 11, there have been movies (World Trade Center) and TV specials discussing the tragedy of this day as well as the heroism of police, firefighters, and first responders who braved the danger to help anyone they could.

However, what people might not know is that the comic book community also developed graphic novels and comics in which writers and artists created stories centering around this day to honor those lost and reminding people to never forget.

Just like the noble intentions of its heroes, many of the proceeds from these books were donated to organizations such as the World Trade Center Relief Fund, Survivors Fund, Twin Tower Fund, and the American Red Cross.
One of the bigger collaborations resulted in a two volume graphic novel series known as “9-11: September 11.”
The first volume was called “9-11: September 11 (Artists Respond)” and published by independent publisher Chaos!, Dark Horse, and Image Comics.

According to the solicitation on, “Among Volume One’s contributors are writer/artist William Stout, who shares the true story of a Yugoslavian citizen’s love of Americans; Stan Sakai, vividly recalling his last visit to New York City; and Paul Chadwick, who offers his interpretation of the heroism of the passengers on Flight 93, whose sacrifice kept September 11 from being an even more tragic day...”

Some other writers and artists telling their stories were Will Eisner, Frank Miller, Dave Gibbons, Eric Powell, and Tony Millionaire.

The second volume, “9-11: September 11 (The World’s Finest Comic Book Writers & Artists Tell Stories to Remember,” was published through DC Comics.

This volume is notable for an Alex Ross cover showing Superman and his pet, Krypto, looking in awe at a mural of police, firefighters, and paramedics. It continued the tone from the first one and included more stories from writers and artists such as Neil Gaiman, Stan Lee, Jim Lee, Neal Adams, and Ed Brubaker.

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