Senior Alexis Fox is an English education major who has been singing for as long as she can remember. She first picked up the guitar when she was 12 years old. Fox said, “I actually traded in my elementary school grade clarinet for it! It was a left-handed guitar, but for some reason it was strung right handed, and that kind of just stuck.” Since then, Alexis has started writing her own songs and giving live performances.
“When witches don’t fight, we burn,” says a deliciously dark Fiona Goode (played with excellency by Jessica Lange). This statement alone assures the audience that they’re in for a magical and wicked good time for “American Horror Story: Coven,” the third season in the hit anthology series. With each season comes a new theme of fantasy and real horrors, and this time around, the witches of Louisiana are here to cast a spell on you.
With so many adaptations of Shakespeare’s classic tale, there was a sense of skepticism as I watched this new version of “Romeo and Juliet.” However, director Carlo Carlei and screenwriter Julian Fellowes were able to breathe some new life into this tired, old love story by creating an authentic piece that not only Shakespeare himself would be proud of, but would also entertain hopeless romantics of the twenty-first century.
Miley Cyrus: America’s first living, breathing hashtag, and her disjointed Twitter feed of an album, “Bangerz,” make me fear that the impatient excesses of the smart phone age have finally caught up to us. I fear that people, especially celebrities, can now trade their humanity for cheap, hyper-modern personas tailored to fill social media pages.
Maybe it’s just me, but after two smash hit singles, a massive hit of a comeback album, frequently appearing in commercials, guest-appearing in a mediocre Jay Z song and a VMA performance/tribute that made the man appear as a god amongst mere mortals, I began to think that maybe we’ve had enough Justin Timberlake for one year.
Girl and boy meet. Girl and boy hate each other. Girl and boy fall in love, despite their initial first impressions. You’ve seen the plot of “First Date” before. Chances are you’ve seen it way too often. Playwright Austin Winsberg didn’t come up with anything new. That doesn’t mean “First Date” isn’t worth seeing though.
Theo Katzman played The Studio at Webster Hall to a full house on Saturday Oct. 5. The show wrapped up his “Why Not” Tour in New York City after touring around the Northeast and Midwest through most of September.
Sophomore Taylor Hope is more than just the average musician from Sayreville, NJ. She is double-majoring in math and music here at Monmouth University. At only 19, she has already opened up for big stars such as Jason Aldean and Tim McGraw, played a solo at Carnegie Hall, and had Bruce Springsteen himself come and watch her entire solo set.
It seems like “Puppeteer” couldn’t have been released at a worse time. With only a couple of months left before the new consoles release and the highest grossing videogame of all time on shelves, who would give the time of day to a quirky little game from Sony Japan? However, the novelty of running over pedestrians while listening to Queen only lasts so long. In order to fight off the tyranny of boredom, a hero needs to rise from the ashes of the giant that was the last console generation. “Puppeteer” is out there, fighting the good fight, and it is about time that it got the recognition it deserves.
In an age where video games are becoming more gritty and realistic, hardly anyone would have guessed that what may be one of the year’s best games would be absolutely nothing like that.