Bryan Haring is quite the entertainer. The junior dazzled audiences with his best cockney British accent as Staff Sergeant Froggy LeSeur in the fall play, “The Foreigner”. While Haring seemed pretty comfortable on the Lauren K. Woods Theatre’s stage, he is a bit more at home playing with his band Seasons.
These past few years in the entertainment industry, remasters, remakes, re-etc. have been produced practically as frequently as original content. It’s certainly easy to diagnose this as a dearth of creativity, but in this age of constantly adapting content for a new generation of consumers, is there a way to make—or, more appropriately, remake—a standalone piece of art based on existing media?
To me, concerts always feel the most intimate in a small venue with a devoted crowd. It is the absolute best when the lights are dim, the barrier between the stage and crowd is small, and the artist is on stage with their guitar in hand and small backup band behind them. The feeling of a close-knit show like that is truly inexpressible. These are the concerts that are well-remembered and cherished. These are the moments that turn the little things into big things.
