middle_earth
Entertainment

“Middle Earth: Shadow of Mordor” Sets Standard For Licensed Games

Licensed games are typically, to put it delicately, awful. More often than not they’re simple cash-ins, next to nothing is spent developing them, and, in the case of Lord of the Rings properties, the publisher knows that the picture of Gandalf on the cover will make back any expenses several times over. Thankfully, Middle Earth: Shadow of Mordor is not your average licensed game. Production values, along with several unique ideas, make it a game worth playing, especially if you’re a fan of Tolkien’s The Lord of The Rings.

Fury-Movie
Entertainment

World War II Rages On In “Fury”

On arguably the worst first day of work anyone has ever had, Norman Ellison (Logan Lerman) is a young American clerk thrust into the midst of warfare on the German front in April 1945. Trained to type 60 words per minute, Ellison is rotated in as the fifth crew member of a Sherman tank christened “Fury,” and must now ruthlessly kill Nazi soldiers from within this metal monster.

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Entertainment

“Civilization: Beyond Earth” One Step Forward, Two Steps Back

“Civilization: Not Earth” might very well be a more appropriate title for the latest game in the hit Civilization series. I say this because Civilization: Beyond Earth fails almost entirely in going beyond what was done in the last Civilization title, Civilization V (which was released in 2010). This is especially disappointing when taking into account the outstanding reputation of Fireaxis Games, developer of the Civilization series.

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Entertainment

Taylor Swift Takes Us Back to “1989”

When it was first announced that Taylor Swift’s new record was going to be pop instead of country, I have to admit I was already disappointed with the album. How could the girl who moved to Nashville to be a country artist just decide one day that she can change her style without any effort? I was one of the skeptics when the album 1989 was finally released on Oct. 27, but I crossed my fingers, hit play, and surprisingly fell in love with the new Swift. The theme of moving on instead of dwelling in heartbreak somehow made this album shockingly catchy.